How to solo over a I-VI-II-V Chord Progression

‘HOW TO SOLO OVER A I-VI-II-V CHORD PROGRESSION’ BASS TUTORIAL SHOWS YOU HOW TO APPROACH SOLOING AND IMPROVISATION OVER THIS COMMON CHORD SEQUENCE ON THE BASS GUITAR.

The I-VI-II-V turnaround is one of the most common chord sequences found in music. In jazz standards specifically they’re ALL over the place! There’s many different ways of approaching soloing and improvising over it by using different substitute scales and arpeggios and in the following tutorials I will highlight some of my favorites.

Practicing this chord progression with the many scalar substitutions really helped my bass playing, soloing and improvisation move up a level and greatly improved my ability to ‘see’ the scales over the entire fretboard of the bass guitar. I suggest you practice soloing over this progression one key per week, or even longer if your enjoying it! I remember soloing over this progression in the key of C for around a month, the benefits I felt within my playing were eye opening to say the least. If you haven’t looked at my arpeggio and scale tutorials yet please do so as it will really help you on your journey.

Take a look at these well known jazz standards to see how common this chord sequence is… Blue moon, The way you look tonight, The Lady is a tramp, cheek to cheek. It’s also worth noting that it also occurs in either the last two or four bars of MANY standards and is commonly referred to as a ‘turn-around’.

Now get that metronome on and start shedding!

S.

Part 1

Part 2

Want the tab and notation for this lesson?!… Click here to find out!

  1. David BarberDavid Barber10-26-2012

    Hey Scott, Awesome lesson! A little over my head but I’m trying. I’ll watch it again and stay in the shed until I get it.

    Dave Barber
    Albquerque, NM USA

  2. David BarberDavid Barber10-26-2012

    Scott, could you share yout backtrack for this lesson? I need to work on it. Also, I seem to get lost when I go to the V. I want to play the Ab melodic but somehow I’m not ending up where I think I should. Thanks for your studies! They are very helpful.

  3. John BullenJohn Bullen03-02-2013

    You gave my melon a twist again. How about a lesson on the flourishes you add that prevent scales and arpeggios from sounding like scales and arpeggios… Best Wishes.

  4. ValerieValerie03-10-2013

    Yes, I agree with John Bullen. My scales and arpeggios always sound plain. I need help making them sound interesting. I would love to see a lesson about this.

  5. LukeLuke05-24-2013

    Yeah, I am completely lost. I mean, I understand the ideas of arpeggios (I Think…after watching the arpeggios tutorial) and I /watched/ this video, I’m just having troubles figuring out how to start. I.e., I’m playing a song with a chord progression of C-G-A-F, and trying to figure out how I would use arp’s to climb around it…

Leave a Reply

Facebook

YouTube